Tyler Perry’s Divorce in the Black | Official Trailer | What’s on Amazon Prime Video
Tyler Perry is a renowned figure in the entertainment industry, known for his films, plays, and TV shows. His personal life, particularly his views on relationships and divorce, also attracts significant attention. In the African American community, Perry’s opinions on marriage and divorce are influential and reflect broader cultural and social issues.
Divorce within the Black community is a complex subject, shaped by historical, economic, and social factors. When a prominent figure like Perry addresses these topics, it has a substantial impact. His personal experiences and perspectives help illuminate the challenges and stigmas surrounding divorce among African Americans. Perry’s narratives often depict both the struggles and positive aspects of relationships, including the process of ending a marriage.
Exploring Tyler Perry’s views on divorce allows for a deeper understanding of the African American experience. His insights foster discussions about the effects of divorce on Black individuals and families. Through his creative work and public statements, Perry promotes empathy and understanding. He emphasizes the importance of community and support in navigating the challenges of divorce, advocating for open conversations about this significant issue.
In the realm of gripping dramas that delve deep into human emotions and societal challenges, Tyler Perry’s latest thriller, “Divorce In The Black,” promises to captivate audiences with its compelling narrative and stellar cast. Set to premiere on Prime Video this July 11th, the film stars the talented Meagan Good and Cory Hardrict, bringing to life a story that resonates with themes of empowerment, resilience, and the quest for justice.
The narrative unfolds against the vibrant backdrop of contemporary Atlanta, where protagonist Maya (Meagan Good), initially living what seems a life of luxury with her husband Marcus (Cory Hardrict), soon discovers the façade hides a world of deceit and betrayal. Maya’s journey takes a dramatic turn as she uncovers evidence of her husband’s infidelity, propelling her into a courageous quest for truth and personal liberation.
With Tyler Perry’s masterful direction, “Divorce In The Black” blends suspense, emotional depth, and social commentary, offering viewers a thought-provoking exploration of love, betrayal, and the resilience required to overcome adversity. Meagan Good delivers a standout performance, embodying Maya’s emotional turmoil and transformation with grace and authenticity, while Cory Hardrict portrays Marcus with complexity, navigating the character’s moral ambiguity with skill.
As audiences await the film’s premiere, “Divorce In The Black” stands poised to leave a lasting impact, inviting viewers to contemplate universal truths about relationships, identity, and the pursuit of justice in the face of deception. Prepare to be enthralled by a story that challenges perceptions and celebrates the indomitable strength of the human spirit.
Directed by | Tyler Perry |
---|---|
Writing Credits (in alphabetical order) | Tyler Perry |
Cast | |
Meagan Good | Ava |
Cory Hardrict | Dallas |
Debbi Morgan | |
Richard Lawson | |
Joseph Lee Anderson | |
Art Newkirk | Daniel |
Taylor Polidore Williams | (as Taylor Polidore) |
Shannon Wallace | |
Rakeem Laws | Keith |
Joe Komara | Lawyer |
Deldric Dunning | Restaurant Patron |
Milan Respress | 8 Year Old Ava |
Jeffrey Creightney | Troy |
Ursula O. Robinson | Linda |
Adam Jerome Sperandio | Bartender (credit only) |
Mark Elliott Brewer | Sheriff |
Ja’Naydia Gaines | Fair Goer |
Berry Williams Jr. | Morris |
Scott Andersen | Lawyer (uncredited) |
Andrew Bassett | Bank Customer (uncredited) |
Roxy Frum | Fair visitor / Bar Patron (uncredited) |
Ashton Mccorvey | Fair Minor (uncredited) |
Produced by | |
Will Areu | producer |
Dianne Ashford | producer |
Angi Bones | producer |
Tyler Perry | producer |
Carole Wurst | associate producer |
Music by | Sherri Chung (music by) |
Editing by | Storm Evans (edited by) |
Production Design by | Sharon Busse |
Set Decoration by | Gretchen Gattuso |
Makeup Department | |
Amelia Asali | personal hairstylist |
Sincere Gilles | hair stylist |
Joyce Gilliard | hair department head |
Priscilla Green | hair stylist |
Karen Hester | hair stylist |
Alister King | hair stylist |
Arlene Martin | key hair stylist |
Second Unit Director or Assistant Director | |
Derrick Doose | first assistant director |
Courtney Glaude | second unit director |
Robin Rk Kempf | second assistant director |
Art Department | |
Nick Buck | set dresser |
Chelsea Rose Collins | set dresser |
Hsanni Henry | art department coordinator |
Trent Hevener | construction coordinator |
Ryan Kutch | Leadman |
Trevor McNure | assistant property master |
Sound Department | |
Aaron ‘Cujo’ Cooley | Production Sound Mixer |
Keith Cooley | boom operator: additional / sound utility |
Nathan Cornwall | sound utility |
Jorge Del Valle | boom operator |
Dylan Earnhardt | Music Playback / boom operator |
Mitchell Kohen | foley artist |
Erin Martin | sound utility |
Jamison Rabbe | adr mixer |
Visual Effects by | Danny Clark (compositor) |
Stunts | |
David Alessi | Precision Driver |
Branden Arnold | Stunt Double: Morris |
Sadiqua Bynum | stunt double: Meagan Good |
Colin Cary | Precision Driver |
Troy Faruk | stunt double: Jeffrey Creightney |
Jesse Haus | Fight Coordinator |
Leesa Pate | precision driver coordinator/precision driver |
Granger Summerset II | stunt performer |
Joshua Wade | stunt performer |
Mark Weinhandl | Precision Driver |
Camera and Electrical Department | |
Kenneth Bolton | Dolly grip |
Jake Butler | C Camera/Steadicam Operator |
Grace Preller Chambers | second assistant camera: “b” camera |
Quantrell D. Colbert | still photographer |
Andrew Dawson | Camera Utility |
Shane Hecksel | grip |
Kerry Hoskins | Rigging Console Programmer |
Kane Pearson | a camera first assistant |
Caleb Rice | grip |
Isaiah Schmidt | grip |
Michael Ricardo Williams Jr. | Loader |
Hakim K. Wilson | rigging electricians (uncredited) |
Casting Department | |
Kim Coleman | casting |
Costume and Wardrobe Department | |
Aziza Eshe Duniani | assistant costume designer |
Anya Peregrino | costumer |
Editorial Department | |
Tom Barile | Dailies Supervisor |
Shay Ellis | dailies colorist |
Ken Lebre | dailies director |
Dean Mozian | Digital Intermediate Producer |
Vivian Nguyen | assistant editor |
Sara Plano | Post Production Media Supervisor |
Peyton Walecka | Dailies Operator |
Location Management | |
Jason Anderson | key assistant location manager |
Genevieve Hawkins | location coordinator: Savannah Unit |
Samuel Jerome Johnson | key assistant location manager |
Chris Page | key assistant location manager |
Donjenna Yokley | key assistant location manager |
Music Department | |
Celeste Debro | Associate Music Supervisor |
Joel C. High | music supervisor |
Tahlia Vayser | Music Coordinator |
Script and Continuity Department | |
Aleshia Mueller | Script Supervisor |
Additional Crew | |
Chelsea Alan | First Team PA |
Leno L. Bradby Jr. | Manager of Studio Deliverables |
Gordon L Burrows | armorer |
Lisa Chau | payroll accountant |
Mark Hidalgo | production assistant |
Jourdan McIntosh | Production Assistant |
Brittany Sharman Naylor | 1st Assistant Accountant |
Sarah New | 2nd Assistant Accountant |
Rob Porter | Police Coordinator |
Jemila Rice | second assistant accountant |
The Intricate Details of Tyler Perry’s Divorce
Tyler Perry’s separation from Gelila Bekele, following over a decade together, has drawn significant attention from fans and the media. Publicly announced in mid-2021, the split stemmed from Perry’s demanding work schedule and their differing future aspirations. Despite parting ways, Perry and Bekele have maintained mutual respect and are committed to co-parenting their son, Aman.
This transition has been pivotal for both. Perry continues to thrive in the entertainment industry, while Bekele dedicates more time to her humanitarian work. The public and media have largely been supportive, acknowledging the amicable nature of their breakup. This new phase in Perry’s life, much like his career, demonstrates his resilience and capacity for personal growth.